![]() ![]() Nguyen’s photographs reveal her mysterious, experimental sculptural works capturing ephemeral moments with transient light sources. Onyewuenyi also points to Diane Severin Nguyen‘s contribution as particularly inspiring. She pushed herself and her collaborators to produce something that really embodies the moment.” Diane Severin Nguyen / Hammer installation “She ended up making a work for the proscenium on a screen. “My heart was stolen by her performance work transforming into a film,” Mackler says. One such example is the art of Ligia Lewis. “There is a real joy as a curator when you work with an artist that, in challenging themselves, comes to appreciate a new medium,” Onyewuenyi continues, voicing genuine admiration. When the artists visited, they wanted to ensure what they placed there would resonate with the place in some way, be it the architecture, the works in the collection, or the space itself,” Onyewuenyi tells us.Īdaptability became a requirement. “The Huntington has a very different sensibility. Through the two sites, Made in LA 2020 was designed to bracket the city with west and east locations, and activations between. We also spoke with Mackler and Onyewuenyi to learn about the mission, the transformation and the results. While The Huntington and Hammer await the chance to invite the public inside to see the show, COOL HUNTING was given a masked, distanced tour of what is now called, Made in LA 2020: a version. Now, the show can be viewed on each museum’s website and in site-specific activations throughout LA. In addition to the original site at the Hammer Museum in Westwood, Made in LA 2020 was also scheduled be exhibited at The Huntington Library, Museum and Gardens in Pasadena. Curators Myriam Ben Salah, Lauren Mackler and Ikechukwu Onyewuenyi started to reimagine the show, and usher artists though the process at the same time. ![]() In March 2020, as the country shut down to brace for the pandemic, the plans for the fifth iteration of the Made in LA biennial began to transform-but the unifying aim remained the same: to highlight the work of 30 artists.
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